the question of whether someone who plays a role is genuinely acting or constructing a fictional self
Up to 12 framings across outlets and orientations — each a short phrase the extractor generated to characterise the piece's editorial angle (not a quote). Filter by lean to see how each bloc is spinning the story; click through to read the original.
the boundary between performance and personal identity
How Aristotle helps us unpack the art of deception in Nathan Fielder’s ‘You Can See Everything’Stacked weekly counts; colour by lean. “n/a” covers government and iwi-Māori sources where lean isn't applicable.
How this topic has been named, week by week. A new alias winning out is usually a framing shift.
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